HullabaLou festival

Looks like an interestingly diverse group of bands for the festival. Ranging from 70s rock to country, bluegrass and soul, only the Kentucky Derby crowd could be more diverse. I would probably stay close to the bluegrass stage for such acts as Ricky Skaggs and Dan Tymenski and the McCoury boys. Dwight Yoakum and Loretta Lynn offer glimpses of what country should be. This is not the Warped Tour or SXSW. No indie or punk. More like mainstream Americana. Not that there is anything wrong with that. See info below for dates and times.

JUNIOR BROWN OUT ON THE ROAD AGAIN

JUNIOR BROWN @ ANTONE'S
Originally uploaded by Kingsnake

I am excited. Junior Brown is coming to Nashville. I plan on being there. Junior Brown is what country music SHOULD be. Nashville country really blows. Cardboard cutout cowboys who all look and sound the same. Same tire stuff. Same tired recycled 70's rock passed off as country. Not so with Junior. When he picks up his guitsteel, a combo of a lap steel and Telecaster, get ready for some down home picking. Equally adept at surf, blues, rockabilly and country, a Junior Brown show is all about what is great in music. Clever lyrics, virtuoso playing and a humble persona that would make Ernest Tubb proud, Junior makes the audience feel at home. I remember seeing him in Chapel Hill NC back in the 90s. The crowd had college hipsters, old guys wearing overalls and everyone in between rocking the house. He hasn't done a studio album for a while so I hope one is in the works. In the meantime, we can catch him out on the road.

Southern Culture on the Skids - Countrypolitan Favorites

Southern Culture on the Skids
Originally uploaded by astromonster zero one

This cd came out a couple of years ago, but I find myself listening to it continuously here lately. What they did was take a bunch of 1960's country tunes and give the the SCOTS treatment. Turbocharged, psychobilly style. It would be easy to write off these guys as a novelty act, but they are much more. Their music rocks, and their attitude toward the music is serious (from a musicianship standpoint) even though the material is lighthearted and fun. Sort of what NOFX does to punk, SCOTS does to rockabilly and traditional country. If Southern Culture on the Skids comes to a town near you, you might be a redneck. But check them out anyway. You won't be disappointed.

Wayne Hancock goes West Coast

Wayne Hancock
Originally uploaded by Brian Bubonic

I love old country music. Nashville killed real country music in about 1975 or so. I like the story telling, the manic songwriting, and the twang of real country music. That is why Wayne Hancock excites me so much. A throwback to Hank Williams Sr., his tunes are so authentic old school country, you can hear the pops and crackles of the old turntable in his voice. Thunderstorms and Neon Signs was the tune that turned me onto Wayne. His music tells stories the way Hank Sr, Ernest Tubb and others of the vintage 50s era did, full of sorrow and pain. Most of his dates are out west, but I have my eye on a gig he is doing in Nashville in a couple of months. Maybe some of that old country mojo will rub off on Nashville, but I doubt it. Country music has been long dead in the Ville. I would love to see Wayne, Hank III, and Junior Brown kick country music in its ass to get it going again.

Drag The River - My New Bestest Favoritest Band, or one of them...

Chad Price of Drag The River
Originally uploaded by matthewadamslife

File "Drag the River" under the category of Bands I would Like to Hear More from in 2009. Drag the River features Chad Price, who's warm vocals and homey style connect with the listener in an intimate way. Their material seems well thought out and tuneful, and the melodies stay with you. The music is consitently great, even while the lineup has been inconsistent over the years. I caught on to them with the Suburban Home sampler cd series, that feature the label's alt country, indie and lo-fi artists.
Here is some info from their website to give it all a little background:
"During the early days of the Blasting Room there were many open hours for learning how to make records. Jon & Chad recorded around 20 some songs in late '96 ... Whoever was in the studio that day could play. They just basically had to learn the songs in the time it took to play them. Over the next couple years those recordings were bootlegged alot.So they finally released "Hobo's Demos" and did some touring around the turn of the millennium. In March 2002 the band released "Closed" which was also on Upland/O&O records. That label is owned & operated by the All-Descendents family & co run by Joe Carducci of the legendary SST label. They put out all your favorite 80's punk records like Black Flag, the Minutemen, DESCENDENTS, Meat Puppets, FIREHOSE, Husker Du.....all those and too many more to mention.At that time Karl Alvarez left & J.J. from the NOBODYS joined and they started traveling more seriously. Later that Oct. 2002 they put out "Live at the Starlight" on Mars Motors (Jon, Flash and Chris Irwin's label) & produced their live, vinyl only release. That was a bar room idea that had little chance but actually happened. The companion to "Live at the Starlight" is "At the GREEN DOOR O.K.C." a humbling & totally different show recorded five days later in front of a less than excited crowd. The "Chicken Demos" is the sister release of "Hobo's Demos" and came out May 2004, also on Upland/O&O."Hey Buddies" e.p. was released in Nov. '04. 6 songs co-released by the fine people at Red Sand. It was super limited to begin with and more limited when more than half of them were stolen at a show in Green Bay. Two months later a more widely available version with different art & packaging was released by Mars Motors & distro'd by suburban home records....beginning that relationship. At this point Zach went back to school and the band kept on as a four piece....but not without infrequent visits from Chad Rex who easily stepped in when available. Casey Prestwood picked up the steel & lead duties for a year and a half from Feb. 2005 thru Oct. 2006. In October 2005 Paul entered his silver years surfing in California. He was in the band a full decade. He later joined the Street Dogs Dogs from Boston & has sat in with DTR on several occasions since.
Dave Barker played drums for a year and a half from the end of 2005 to the beginning or 2007.
In Dec. '05 the band mixed songs for 3 different 7inches. Chris Peirce of ''technical ecstasy studio" in N.J. mixed & recorded two songs for a "THIRD WORLD INDUSTRIES" 7in.& the others were mixed at Jon's where they were recorded.the first release is from our friend Darick's label "wallride" in MD.

In January '06 the band recorded a new record at the Hideaway in Sedalia Co. with Marc Benning. An all analog studio totally lost in the Colorado mountains.There is also a split with the DENTS from Boston where the bands cover each others songs.& Roger De Rok released ''gabba gabba HEY BUDDIES'' on vinyl w/ bonus songs. "It's Crazy" from Suburban Home Records came out June 6th 2006. 10 years of music for the band.January 2008 "you can't live this way." was released.Summer '08 more songs have been tracked & mixed in the garage and at the Blasting Room. Shows happened and continue to happen.
Some are Jon & Chad duo shows & as many are with J.J., Zach & Chris Pierce of N.J. on drums.....it never ends."
Check them out. You will be glad you did.